The Wuffings, East Anglian Daily Times

With flashing swords and flaming torches, the story of Raedwald, the king of the East Angles, is brought vividly to life by Eastern Angles.

It is a tale of love, plotting and power - conjured up in a giant modern potting shed.

The purpose-built theatre works beautifully as the actors strut, plot and fight the length of the 80 foot building, the audience in comfortable banked seating and within touching distance of the action.

This is not just a battle about kingdoms, this is the moment of breakthrough for Christianity in Suffolk, but Raedwald is a monarch built on cunning lines.   He embraces Rome, is baptised in the freezing North Sea but clings handily on to his pagan gods just to make sure he gets all the help he can.

The show is full of stark images and there is clever use of carved benches that work brilliantly as a long ship, doors, altars and beds as well as seats, and the whole things is driven along by music that catches the mood of each dramatic movement.

Dark forces are clearly at work in the 7^th Century, the Christians a touch on the  weak side and used as figures of fun, but the story nevertheless grips the imagination and curries us along at a good rate through Raedwald's reign to his burial at Sutton Hoo.

Stephen Finegold's Raedwald is a clever mixture of vacillation and he is matched by a strong feminist wife queen, Carrie Tomas, helping to see her king through the political pitfalls of religious conversion.   Even on his deathbed he cannot make up his mind and is tormented by pagan ghosts.

But the whole of this cast is neatly drilled.   They all move and speak their words with passion and conviction, and they all sing beautifully.   Among those who work well are William Haden, Janet Jefferies and Guy Moore.

This is well worth seeing.   Get there early and have a hog-roast supper at the same time.

David Henshall, EADT